What year did emmons steel guitar go out of buisness

What year did emmons steel guitar go out of buisness how to#

The guy with the guitar just looked him like a cow looking at a new gate. The bass player, who was just subbing and didnвЂ™t know what to expect, called вЂњMama TriedвЂќ and waited for the intro. Tagged with Cal Sharp, music, steel guitar Geez, unless youвЂ™re the featured instrumentalist your job is to make the song and the singer sound good, right? Or did nobody ever tell you that? What, are you afraid someone might think youвЂ™re not a hot Nashville Cat if you only play 3 notes in one bar, or if the steel player gets more notes out than you do? To paraphrase Albert Einstein, the other вЂњBig EвЂќ, E=mc2 вЂ“ (where E = ego, M = music, and C = chops.) It doesnвЂ™t take a lot of dexterity, just taste, and the ability to subjugate yourself to the song and the singer. ItвЂ™s not that fucking hard to play 3 or 4 notes, ala Grady or Jimmy, instead of 162 notes, which fills a much needed gap. ItвЂ™s all cool to play 40 notes a bar on вЂњRocky TopвЂќ or вЂњThe FiremanвЂќ, but when the singer calls вЂњMake the World Go AwayвЂќ I wish the guitar player would go away if he canвЂ™t or wonвЂ™t change his attitude. I worked with a drummer once who didnвЂ™t know the difference between a pair of brushes and his ass, and I put a picture of Buddy Harman on his snare before the gig one timeВ and he walked around all night asking who it was. I wonder if theyвЂ™ve ever listened to Grady Martin or Jimmy Capps. It didnвЂ™t go real well, but I wasnвЂ™t afraid of nuthinвЂ™ back then.ДЄ lot of guitar players have hot licks up the ass, and the attendant volume, but canвЂ™t play two notes in a row that sound pretty. I dragged my stuff in and sat in on a few songs. I played a little with Leon Rhodes when he was working a gig at a hotel by the new Opry with Little Roy Wiggins. I didВ a gig with Lenny Breau when I was too green to do much, but it was fun anyway, listening to him. I worked a few gigs with Pete Wade, clubs and sessions, and heвЂ™d holler at me to play what Lloyd played on some sessionВ theyвЂ™d beenВ on, which had me scratching my temporal lobe trying to play a cheap Japanese knockoffВ of what I could remember.

But, hell, it was work and a little money, like digging a ditch or unloading trucks, and I had to get my roast out of layaway at Kroger. But most of the others made me wish IвЂ™d stayed home and watched вЂњSaturday Night LiveвЂќ, at least up until the 90вЂ™s. Pete Mitchell вЂ“ Texas Troubadour PassesOther fine guitar players IвЂ™ve worked with were Roy Melton, Marc Rogers, Richard Bass, Dan Drilling, Redd Voelkaert, Cliff Parker, and more recently Lyndell East, Bebo Whitehead, Chris Logan, Luther Lewis, Clyde Sutton and Bill Hullett. He moved to Texas a few years ago and got kidnapped by Herb Steiner and I never saw him again.

What year did emmons steel guitar go out of buisness how to#

He knew how to comp, play tic-tac or just lay out when it was my turn to play. Pete was the tastiest player in the world, and had more empathy and reciprocity with a steel guitar player than anybody. I had the good fortune to work with Pete Mitchell from the late 70вЂ™s up until on gigs ranging from Ernest Tubb to Broadway to skull orchards on Dickerson Pike, and it was always a pleasure. He was a Lloyd Green fan, and I learned a bunch of licks from him.Д«uddy and me atВ the Silver Dollar Saloon in South Bend The first one of any note was Buddy Williams, from Michigan City, IN. Man, IвЂ™ve worked as a steel guitar player with a passel of guitar players.